Dress has holes and rips on the top layer of tulle. For that reason, there are no returns and I am selling the dress as is at a reduced cost. You can either have the top layer of tulle removed or repaired or wear as is, as there are so many layers it's hard to notice!
Please feel free to reach out to me with any questions. You can try on the dress at a Vera Wang or bridal shop near you, as I unfortunately cannot have you try on the actual dress I am selling since it's boxed and cleaned already.
Veil is also available for additional negotiated cost. PayPal accepted.
Here is what Vera has to say about the dress:
The lace I’ve used in Georgina is very delicate. A base of Chantilly shadow lace acts as the canvas over which I’ve fused a bouquet of hand-cut flowers made of Alencon lace, for an added textural dimension.
The shadow lace is articulated in a very modern pattern: rather than the traditional floral design of classic Chantilly, in Georgina you’ll find a delicate, spidery, circular web that spirals out. This circular, very linear design is much more unexpected. This type of lace almost feels like tulle, with a bit of stretch, so it’s not as heavy. I find that it creates a fragility and a sleekness, as well as a little intrigue, so the bride will feel quite sexy wearing it. This is definitely not your grandmother’s lace!
But even a delicate rose needs her moment of drama, and for that, I’ve added a flouncy, multi-tiered skirt, trimmed with horsehair, that bustles in the back. It really holds a strong, dynamic shape, almost a cage-like effect. It’s dramatic in the most elegant way possible. All this frothiness is balanced with a touch of tulle at the neckline, draped asymmetrically with a kind of purposeful disorder. It’s a very pretty softness and lightness right next to the skin that I just love.
Georgina is perfect for the girl who really wants to show off her body and her shape, yet still have a bit of the grandeur of a ball gown. It’s her wedding day, after all. She deserves to feel fancy!
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